Patricia Baldwin Seggebruch, encaustic artist, experimenter extraordinaire, inventor, camp director, author, instructor, and a mom of four boys is possibly one of the busiest artists I know. She is truly a presence in the encaustic community and a leading instructor on this medium, with several books and DVDs out to instruct people on how accessible this medium can be. She makes encaustic possible and reachable to those that are hesitant to start the medium or to work in the arts at all.
Trish has always been creative–sewing when she was younger, creating her own designs and trying everything new in different mediums and techniques. When her boys were younger, she was working in mixed media for an artistic outlet, and wanted to get more texture in her pieces. While starting with paraffin on her own and doing some research, she came across encaustic and took a workshop. There was no going back.
Since Trish was already familiar with Ampersand panels for her other mixed media work, primarily Claybord, it was a given that she would want the perfect surface for heated wax. In communicating with Elaine Salazar, Ampersand’s President/CEO, Trish began to discuss what was needed in a panel for encaustic. Soon after, Elaine started collaborating with Richard Frumess at R&F Handmade Paints to create the perfect panel. to create just the right panel for encaustic. Watch the story of Encausticbord™ as told by Elaine and Richard on our YouTube Channel.
There are so many advantages for an artist to work with Encausticbord. Besides the heat resistent surface, the board is ideal for mixed media, and even accepts watercolors and acrylics, a unique attribute of this surface. And with the encaustic medium itself, there is no varnishing. Only a light buffing is needed from time to time to remove dust. Also, like all Ampersand panels in the cradled profile, no extra framing is necessary.
Trish has created a unique workshop retreat just for encaustic, a week long experience starting from the basics up to all sorts of mixed media and advanced techniques. You can sign up for Encausticamp which is taking registrations until Dec 19th for 2013. It will take place outside of Seattle on a beautiful retreat, with instructors from all over the United States. Samples of Encausticbord will be included for you to try.
Trish advises new artists starting in encaustic to just go for it. The medium can be intimidating, as it is unique in using heated tools, but Trish is working to make it affordable and tangible for artists. She explains that her purpose as an instructor is to educate the next generation of people who can bring the medium back to students. To see more of Trish’s work, signup for her workshops, see her products and check out Encausticamp, peek at her website: www.pbsartist.com
For those of you living close to Seattle, WA, you can catch a new opening of Trish’s work at the Hanson Scott Gallery, opening December 1, with a gallery talk on December 15.
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