Some
General Tips on Egg Tempera

Fred Wessel
"Predella"
Egg Tempera on Claybord
Egg yolk is made
up of approximately 50% water, 15% albumen, 25% fat or oil and 10% lecithin.
It mixes easily with water or with oils and dries very rapidly to a strong,
permanent surface. Many of the beautiful paintings from the Renaissance
were done in egg tempera. Egg tempera is a brilliant, semi-translucent
paint that dries almost instantly. This will have a profound effect on
the artists painting style as it does not lend itself to washes, wet-into-wet,
or oil-style blending techniques. Instead, egg tempera is best suited
to short, overlapping strokes using cross-hatching for blending and toning
effects. If beginning the painting with a layout drawing, use colored
pencils or pastels. Graphite or charcoal will show through and affect
the finished painting. Unfortunately, egg tempera can have a tendency
to crack with age. To reduce the dangers of cracking, paint on a firm
surface like Claybord.
To avoid mold and bacterial growth on the painting, use only sterile water(bottled
or boiled) to mix with the paint.
3 Recipes for Egg Tempera
Here
are three recipes for egg tempera but there are many more. If grinding
the dry pigments is not something you want to try right away, substitute
gouache for the "pigment paste" in each of these recipes.
Recipe 1
Ingredients: 2
egg yolks, cold sterile water, 1 drop vinegar, pigment paste (pigment
ground with water)
Pierce membrane of
yolk and let liquid stream into glass measuring cup. Discard membrane.
Add equal amount of water and stir. Pour into a glass-stoppered wide-mouthed
bottle. Add vinegar to preserve. Will keep 3 to 4 days. To add pigment,
put a little of the paste of ground color in a cup and add about an equal
bulk of the egg yolk mixture. Stir thoroughly with a brush. Paint a few
strokes and let dry. If dull and chalky, add more egg mixture. If very
shiny add a little more ground color.
From
Ralph Mayer's "The Artist's Handbook of Materials and Techniques"
Recipe 2
Ingredients: egg yolk, 1 part, sterile
water, 1 part alcohol, dry
pigment
Separate the yolk
from the white, discarding the white and placing the yolk in your palm.
Pass the yolk gently from one palm to the other drying the empty palm.
When the yolk sac becomes fairly dry, pick up the yolk with your thumb
and forefinger and hold it over a clean, small jar. Puncture the yolk
and drain it into the jar, add water and shake into a pale emulsion. Deposit
small quantities of dry pigments into the wells of a porcelain specimen
plate. Use an eye dropper to add water and/or alcohol to each well and
grind with a glass rod. Add enough yolk water with brush to cause a color
stroke to dry with luster.
From
Robert Massey's, "Formulas for Painters"
Recipe
3
Ingredients: 1 whole egg, 1
tsp. raw linseed oil, 4
drops vinegar
pigment paste
(pigment ground with a tiny amount of water or alcohol)
Break the egg and
drop the contents into a small clean jar. Add the oil, cap the jar, and
shake the contents until they combine completely. Add vinegar as a preservative.
Strain the whole mixture through two layers of cheese cloth into a fresh
jar. This emulsion produces a paint which can be thinned or diluted with
water, and which is slightly less oily than other egg/oil emulsions. Grind
pigment paste into the emulsion, using only as much pigment as you need
for one painting session.
From
Robert Massey's, "Formulas for Painters" |